The Valachi Papers
The Valachi Papers | |
---|---|
File:The Valachi Papers.jpg | |
Directed by | Terence Young |
Produced by | Dino De Laurentiis |
Screenplay by | Stephen Geller Massimo De Rita Arduino Maiuri |
Based on | The Valachi Papers by Peter Maas |
Starring | Charles Bronson Lino Ventura Jill Ireland Walter Chiari Joseph Wiseman |
Music by | Riz Ortolani |
Cinematography | Aldo Tonti |
Edited by | Johnny Dwyre Monica Finzi |
Production
company |
De Laurentiis Intermarco S.p.A
Euro-France Films |
Distributed by | Columbia Pictures (USA) Cinema International Corporation (worldwide) Sony Pictures Home Entertainment (2006, DVD) |
Release dates
|
November 3, 1972 |
Running time
|
125 minutes |
Language | Italian English |
Box office | $17,106,087[1] $8,382,000 (rentals) |
The Valachi Papers is a 1972 crime movie starring Charles Bronson and Lino Ventura and directed by Terence Young. Adapted from the book The Valachi Papers (1969) by Peter Maas, it tells the true story of Joseph Valachi, a Mafia informant in the early 1960s. The film was produced in Italy, with many scenes dubbed into English.[citation needed]
Contents
Plot
The movie begins in the Atlanta Federal Penitentiary, where an aging prisoner named Joseph Valachi (Charles Bronson) is imprisoned for smuggling heroin. The boss of his crime family, Vito Genovese (Lino Ventura), is imprisoned there as well. Genovese is certain that Valachi is an informant, and gives him the "kiss of death." Valachi kisses him back.
Valachi mistakenly kills a fellow prisoner who he wrongly thinks is a mob assassin. Told of the mistake by federal agents, Valachi becomes an informant, mistakenly recognized as the first in the history of the American mafia.[2] He tells his life story in flashbacks.
The movie traces Valachi from a young punk to a gangster associating with bosses like Salvatore Maranzano (Joseph Wiseman). Maranzano tells a mourner at a funeral, "I cannot bring back the dead. I can only kill the living." Valachi marries a boss's daughter, played by Bronson's real-life wife Jill Ireland.
Valachi's rise in the Mafia is hampered by his poor relations with his capo, Tony Bender (Guido Leontini). Bender is portrayed castrating a mobster for having relations with another mobster's wife. Valachi shoots the victim to put him out of his misery.
The mayhem and murder continue to the present, with Valachi shown testifying before a Senate committee. He is upset with having to testify and attempts suicide, but in the end (according to information superimposed on the screen) outlives Genovese, who dies in prison.
Cast
- Charles Bronson as Joe Valachi
- Lino Ventura as Vito Genovese
- Jill Ireland as Maria Reina Valachi
- Walter Chiari as Dominick Petrilli ("Gap")
- Joseph Wiseman as Salvatore Maranzano
- Gerald S. O'Loughlin as Ryan
- Guido Leontini as Tony Bender
- Amedeo Nazzari as Gaetano Reina
- Fausto Tozzi as Albert Anastasia
- Pupella Maggio as Letizia Reina
- Angelo Infanti as Lucky Luciano
Production and editing
Lua error in package.lua at line 80: module 'strict' not found. Poorly supervised production and editing of the released version shows a 1930s night street scene, 27 minutes into the film, in which numerous 1960s model cars are parked and drive by. In another scene depicted as occurring in the early 1930s, Valachi, eluding police pursuit, drives a car into the East River just north of the Brooklyn Bridge, where the Twin Towers of the World Trade Center are clearly visible against the dawn sky; the Towers were only recently completed when the film was released in 1972.
Fact versus fiction
Lua error in package.lua at line 80: module 'strict' not found. The film departed from the true story of Joseph Valachi, as recounted in the Peter Maas book, in a number of ways. Though using real names and depicting real events, the movie also contained numerous events that were fictionalized. Among them was the castration scene and the "I can only kill the living" Maranzano comment, which was widely ridiculed by critics.
Box Office
The film earned rentals of $9.3 million.[3]
Popular culture references
- In Season 1, Episode 21 of the 1970s television sitcom Maude, titled "The Perfect Couple", Walter tells Maude that he loves her more today than he did yesterday. Maude's response is, "Oh, darling. Oh, Walter. You're so sweet and poetic. If Shakespeare had known you, he never would have written Romeo and Juliet. He would have written The Valachi Papers!"
- In Season 5, Episode 11 of the HBO series The Sopranos, titled "The Test Dream", Tony Soprano holds a copy of the novel the movie is based upon during a complicated dream sequence. He is standing at a urinal next to a corrupt police officer, who questions Tony's resolve in taking action. Tony holds up a copy of the book and replies, "I've done my homework."
DVD
The Valachi Papers was released on DVD on January 3, 2006 by Sony Pictures Home Video.[citation needed]
References
External links
- Pages with broken file links
- Articles with unsourced statements from March 2013
- Pages using IMDb title with unknown parameters
- French crime films
- French films
- Italian crime films
- Italian films
- English-language films
- 1972 films
- Films about Italian-American organized crime
- Films set in New York City
- True crime films
- Films based on non-fiction books about organized crime
- Films directed by Terence Young
- 1970s crime films
- Films set in the 1930s
- Films set in the 1940s
- Films set in the 1950s
- Films set in the 1960s
- Gangster films
- Film scores by Riz Ortolani