The Sandman: The Wake

The Sandman: The Wake
250x450px Cover of The Sandman: The Wake  (1997), trade paperback collected edition.Art by Dave McKean.
Publisher	DC Comics
Publication date	August 1995 - March 1996
Genre	Dark fantasy Mythology in comics
Title(s)	The Sandman #70-75
Main character(s)	Dream
ISBN	ISBN 1-56389-287-1
Creative team
Writer(s)	Neil Gaiman with material from William Shakespeare
Artist(s)	Dave McKean Michael Zulli Charles Vess Bryan Talbot John Ridgway Jon J Muth Daniel Vozzo
Penciller(s)	Michael Zulli Charles Vess Bryan Talbot John Ridgway
Inker(s)	Jon J Muth Charles Vess
Letterer(s)	Todd Klein
Colorist(s)	Daniel Vozzo Jon J Muth
Editor(s)	Karen Berger Shelly Roeberg

The Wake is the tenth and final collection of issues in the comic book series The Sandman. Written by Neil Gaiman, illustrated by Michael Zulli, Jon J. Muth and Charles Vess, colored by Daniel Vozzo and Jon J. Muth, and lettered by Todd Klein.

The collection opens with James Elroy Flecker's poem "The Bridge of Fire," prefacing the events which follow.

The stories in the collection first appeared in 1995 and 1996. The collection first appeared in paperback and hardback in 1996.

It was preceded by The Kindly Ones and followed by Endless Nights.

Synopsis

The first three issues of the volume, "Chapter One, Which Occurs in the Wake of What Has Gone Before", "Chapter Two, In Which a Wake is Held", and "Chapter Three, In Which We Wake", comprise the wake and funeral held for Morpheus, who dies at the end of the ninth collection, The Kindly Ones. It is attended by "dreamers and guests", "celebrants and mourners"; many have played recurrent roles in the preceding volumes. A series of speakers, of which the last Death, reflect on the life and death of the late Dream King. Meanwhile, the new aspect of Dream, previously the child Daniel, starts relationships with the inhabitants of the Dreaming.

Issue 73, "The Wake: An Epilogue Sunday Morning", serves as epilogue to both the wake and the friendship between Hob Gadling and Morpheus, in which Gadling visits a renaissance festival with current girlfriend Guenevere and is visited by Death. Issues 74 and 75 resonate thematically and tonally with the first three issues; in terms of plot, they are placed achronologically.

"An Epilogue, Sunday Mourning"

"Sunday Mourning" follows the immortal Hob Gadling and his girlfriend at a Renaissance fair in twentieth-century America, where Hob, drunk and alone, encounters Death, who confirms Gadling's suspicions concerning Morpheus' death and offers him death as well. After some consideration, Hob refuses. He then falls asleep and dreams of meeting Morpheus and Destruction on a beach, where the Dream King reconfirms his death and his companions laugh. The three walk off together, and Hob returns to his girlfriend.

Gaiman mentioned wanting to do a Renfaire issue with Hob in it because he thought it would be funny for several reasons: Gaiman himself mentioned in "The Sandman Companion" that he never liked Renfaires, particularly in America and wondered what it would be like if someone from the time popped in.

"Exiles"

"Exiles" is something of a companion to a story from Fables and Reflections, "Soft Places". It features an adviser to the Emperor of China, sent into exile after his son allied himself with the White Lotus Rebellion. With a significant nod to the parable style, the old man's act of caring for a stray kitten saves his life when he is lost through a soft (ambiguous) place in reality and meets Morpheus, recently released from his imprisonment (Preludes and Nocturnes), and still weak. The old man continues thereafter in the soft place, again meeting Dream (Daniel Hall) who continues Morpheus's conversation. In both conversations he alludes to both former and future events. In the end the old man is reunited with his guide, his loyalty to the Emperor intact.

"The Tempest"

"The Tempest" concludes the bargain struck between Dream and William Shakespeare in "Men of Good Fortune" and featured in "A Midsummer Night's Dream". "The Tempest" sources less from its namesake than "A Midsummer Night's Dream" though Gaiman's tale reflects the Bard's continually. Gaiman sees "The Tempest" as a play about "stories and endings" and thus thought it a fitting end to the series, even though he had initially planned to place the issue long before.

References to other DC characters

At the wake, Superman, Batman, and the Martian Manhunter are seen discussing their dreams. The dreams related by Superman and Batman are imaginary stories from the Silver Age and references to their adventures in other media. Superman and Batman mention dreams of being actors playing themselves, but Martian Manhunter claims he never has that dream (the Martian Manhunter never had a television show). John Constantine, Doctor Occult, and Phantom Stranger are also seen conversing. Constantine remarks "Nice trench coat", referring to his own amused description of the three of them, with Mister E, as the Trenchcoat Brigade in the Books of Magic miniseries. Darkseid appears beside Rose Walker and her brother Jed during the elegies.

Issues collected

Issue	Title	Writer	Penciller	Inker	Colorist	Letterer	Ast Editor	Editor
70	Chapter 1, Which Occurs in the Wake of What Has Gone Before	Neil Gaiman	Michael Zulli	n/a	Daniel Vozzo	Todd Klein	Shelly Roeberg	Karen Berger
71	Chapter 2, In Which a Wake is Held	Neil Gaiman	Michael Zulli	n/a	Daniel Vozzo	Todd Klein	Shelly Roeberg	Karen Berger
72	Chapter 3, In Which We Wake	Neil Gaiman	Michael Zulli	n/a	Daniel Vozzo	Todd Klein	Shelly Roeberg	Karen Berger
73	An Epilogue, Sunday Mourning	Neil Gaiman	Michael Zulli	n/a	Daniel Vozzo	Todd Klein	Shelly Roeberg	Karen Berger
74	Exiles	Neil Gaiman	n/a	Jon J Muth	Jon J Muth	Todd Klein	Shelly Roeberg	Karen Berger
75	The Tempest	Neil Gaiman / William Shakespeare	Charles Vess / Bryan Talbot / John Ridgway / Michael Zulli	Charles Vess	Daniel Vozzo	Todd Klein	Shelly Roeberg	Karen Berger

• Issues 70-73 did not have an inker, and were done only in pencils and color.
• Issue 72 contains additional pages in the Wake bound collection versus the original comic.
• Issue 74 did not have a penciler, and was done entirely in inks.

External links

• The Annotated Sandman