Relic (novel)

Relic

File:Relic-book.JPG
Author	Lincoln Child, Douglas Preston
Country	United States
Language	English
Series	Aloysius Pendergast
Genre	Horror, science fiction, thriller
Publisher	Tor Books
Publication date	1995
Media type	Hardcover
Pages	480
ISBN	0-8125-4326-2
OCLC	34014907
Followed by	Reliquary

Relic is a 1995 novel by American authors Douglas Preston and Lincoln Child, and the first in the Special Agent Pendergast series. As a techno-thriller, it comments on the possibilities inherent in genetic manipulation, and is critical of museums and their role both in society and in the scientific community. It is the basis of the film The Relic (1997).

Plot

In September of 1987, Dr. Julian Whittlesey is leading an expedition through the Amazon Basin, in the Brazilian rainforest, in search of the lost Kothoga tribe. He hopes to prove that they still do exist and in the process learn more about their culture, including their lizard god Mbwun ("He Who Walks On All Fours"), supposedly the son of Satan. However, Whittlesey disappears after finding the mutilated body of his partner, Crocker, and realizes that a creature in the brush is stalking him. A year later, in Belem, a dock worker named Ven is suddenly and brutally killed when a freighter arrives with a shipment of crates from Whittlesey's expedition.

Seven years later, in a fictionalized version of New York City's American Museum of Natural History, two young boys are found dead in a museum stairwell, having gotten lost in the late hours of the museum. NYPD Lieutenant Vincent D'Agosta leads the subsequent investigation. He has the museum under tight lockdown and its staff placed under curfew, for fear the murderer is still hiding somewhere in the museum or the many catacombs that run underneath it. The three prominent leaders of the museum - curator Winston Wright, deputy head Ian Cuthbert, and public relations director Lavinia Rickman - all try to keep the murders under wraps, as the grand gala opening of the new "Superstition" exhibition, led by George Moriarty, draws nearer, an event that will feature many wealthy benefactors as well as Mayor Harper. Rickman even hires New York Times reporter Bill Smithback, Jr. to cover the murder investigation but repeatedly edits his reports so they will appear more favorable towards the museum and its leadership. Assistant Curator Gregory Kawakita jokingly begins spreading the rumor of the "Museum Beast", a legendary monster that has allegedly been roaming the tunnels under the museum for years and is responsible for the murders. Although the rumors are initially dismissed as myth, D'Agosta is shocked during the autopsy to discover a claw buried in one of the boy's brains.

When a security guard suffers a similarly brutal death, FBI Special Agent Aloysius Pendergast arrives to aid in the investigation, having taken a personal interest in the unique nature of the kills. The investigation intensifies as the gala draws nearer, with the search spreading to the tunnels under the museum. Dr. Margo Green and her mentor, Dr. Whitney Frock, initially take little to no interest in the investigation, but Pendergast eventually approaches them when he realizes the claw from the autopsy matches the claws on a Mbwun figurine that had been sent back to the museum in a crate in 1987 and is set to be put on display in the new exhibition. Green, with Smithback's help, manages to get into the secure vault and gain access to some letters that Whittlesey had sent to a museum colleague named H.C. Montague, detailing the struggles the 1987 expedition had been going through. Pendergast then reveals the primary reason for his interest in the case: the nature of the murders of the two boys and the security guard matches the murder of the Brazilian dock worker in 1988, as well as several other dock workers in Louisiana later that year. Pendergast was able to trace back to the one connection among the museum murders, the Louisiana murder, and the Belem murder: the shipment of crates Whittlesey had sent the museum in 1987. However, other than one smaller crate containing the Mbwun figurine, the crates were empty, save massive quantities of local plant leaves apparently used as packaging. Frock reveals that those crates have been moved into the heavily-reinforced secure vault as well, and after Green and Smithback's stunt to get the letters, the directors are well aware of their intentions and will never allow them access to the crates. Pendergast hints at the possibility that the murders might not have been committed by a human, and that the Mbwun monster may somehow have been sent to the museum by Whittlesey's shipment.

Reading through more of Whittlesey's letters, Green and Smithback discover one other major colleague of Whittlesey's who is still working at the museum, and to whom one of the letters was addressed, Dr. Jorgensen. They ask Jorgensen about the nature of the expedition and its aftermath. Jorgensen explains that Whittlesey was determined to prove that the Kothoga tribe had not gone extinct, and that he had found it at long last on a tepui deep in the Brazilian jungle. In addition, Whittlesey had apparently discovered a unique plant at the base of the tepui that had some kind of protein-like quality to it. However, Whittlesey was being accompanied by a museum bureaucrat simply identified as "Maxwell", whose job was to hinder Whittlesey's progress so that the find would not collide with the local government's discovery of an undisclosed natural resource that had been discovered on the tepui. Determined to mine the entire area, the government dropped napalm on the tepui in 1988, killing all of the remaining Kothoga and destroying the plant. Jorgensen also reveals that Whittlesey's colleague Montague had disappeared rather suddenly several years ago. Green and Frock soon realize that the plant Whittlesey discovered was the same plant that had been sent back as packaging in the crates, and that Whittlesey had never sent the crates back to the museum empty; that the main content of the crates was the plant itself. The day of the gala, Green and Frock then begin running computer analyses on samples of the plant as well as the claw from the autopsy. The results reveal that the plants are rich in thalamoid hormones, which can also be found in the human hypothalamus gland, though to a much lesser extent. After reviewing the autopsy reports, Green realizes that what all of the murders - in the museum and in Louisiana and Brazil - all had in common was that the hypothalamus had been ripped out of the victim's heads and was completely missing. The analysis of the claw creates a general caricature of the creature in the question, comprising a primary mix of primate, reptile, and human genes; a nocturnal nature; a strong sense of smell; a quadruped build; a maximum speed of 60-70 KPH; and thick muscle definition and bone structure. Frock describes this hypothetical combination as having the strength of a grizzly bear, the speed of a greyhound, and the intelligence of a human being - the ultimate predator. Frock and Green finally discover the truth behind the entire ordeal, but their efforts to warn their superiors before the gala are thwarted.

As the investigation ultimately did not produce a suspect, the gala is allowed to begin, with a tightened security presence by the NYPD and the FBI, under the official command of Special Agent Coffey. The exhibition initially appears to be going fine until the body of NYPD officer Fred Beauregard drops down from the rafters above the exhibition and right into the crowd, causing a mass panic. At the same time, an NYPD officer named Waters, assigned to monitor the museum's security control room, hears a strange noise in the generator room (revealed to be merely the air conditioner pump) and opens fire, only to completely destroy the central switching box and shut down the museum's power. This results in the museum's massive, metal security doors automatically closing, separating the museum into five cells and trapping a handful of guests, staff, and security personnel alike inside the museum. When the chaos settles, dozens of people have either been killed by the stampeding crowd or crushed by the closing doors, and the roughly three-dozen who are trapped inside the area where the exhibition is includes D'Agosta, Smithback, Cuthbert, Wright, Rickman, Mayor Harper, museum security director Ippolito, and NYPD officer John Bailey. Coffey and Kawakita manage to make it outside the museum, while Green, Frock, and Pendergast are all in the tunnels under the museum, and all three soon encounter the creature. Pendergast manages to fire a single shot, which simply bounces off the creature's skull.

Pendergast manages to communicate with D'Agosta via radio, to warn him about the creature, and explains that the best way for the trapped crowd to escape is down through the museum tunnels, which eventually lead to the sewer systems of New York. The three directors refuse to head down into the tunnels, and instead retreat into Wright's office on the fourth floor. Just as D'Agosta prepares to lead the crowd down the first stairwell, the creature attacks and kills Ippolito and an injured guest. The rest of the crowd manages to escape down into the tunnels. Although extremely skeptical of the consistent reports of a creature's being responsible, Coffey eventually orders a SWAT team to descend into the museum through the skylights, to eliminate the creature. The Mbwun then enters the office where the three directors are hiding, and Cuthbert sends Rickman and a now-drunk Wright into the adjacent dinosaur area to safety, while he draws a pistol to make a stand. However, the creature suddenly leaves him alone and pursues the other two, killing both of them. Cuthbert is rescued by the SWAT team shortly before they move in to attack the creature, only for the entire team to be slaughtered.

The crowd manages to navigate the tunnels and reaches the sewers just before the creature returns, killing Bailey. They then reach a massive underground chamber that is filled with skeletons and torn meat, presumably the creature's lair. They struggle to stay above the rising water as the storm outside intensifies, and another woman is dragged away by the current and dies, shortly before the crowd finally reaches a manhole and escapes back out onto the streets of New York. Pendergast and Green devise a plan to make a final stand against the creature, with Pendergast hoping to use his old hunting techniques of shooting the creature's legs in order to stop its charge. However, the shots do not penetrate the hide, and the creature closes in. At the last second, Green shouts for Pendergast to shoot through the creature's eye, allowing the bullet to pass straight through the skull and into the brain, which kills it instantly.

In the epilogue four weeks later, Green, Frock, Kawakita, Pendergast, D'Agosta, and Smithback all convene in Frock's office to discuss the events of that night. Pendergast explains everything in great detail: the Kothoga legend claimed that Mbwun was given to them by Satan in order to slay their enemies in battle, when in actuality, the Kothoga created the Mbwun by feeding a human the strange plant that Whittlesey had discovered and shipped back to the museum. Eating the plant resulted in the human subject's undergoing the transformation process into the creature known as Mbwun, larger, faster, stronger, and slightly smarter. However, the Mbwun subsequently needed a consistent supply of the plant in order to survive, like an addictive drug. When the tepui where the Kothoga and Mbwun lived was completely destroyed, the Mbwun knew the last surviving samples of the plant were in the crates Whittlesey had shipped back, and thus, it followed the crates all the way to New York. It initially lived off the plants in a steady ration for years, and in the process, killed Montague one day when he came down to investigate the crates. Montague's disappearance was marked by a puddle of blood by the crates, but when it was discovered by Cuthbert, Wright, and Rickman, they washed it away to preserve the museum's reputation. As part of the cover-up, the crates were moved into the heavily-fortified vault, moving them permanently out of the Mbwun's reach. Thus, in order to stay alive, it needed the next best substitute: the human hypothalamus. Though it tried its best to keep its existence a secret by living off smaller animals and homeless individuals in the sewers, it eventually turned to the murders of the boys and the security guard. Even during the police investigation, it could no longer deny its appetite, and thus ran amuck during the exhibition. Pendergast also reveals that, among the bodies that were found in the lair were the remains of Moriarty and a pendant that Whittlesey had always worn on him, serving as proof that the creature killed both of them. Cuthbert has since been institutionalized, Coffey was demoted and sent to the Waco field office, and Smithback reveals that he will release a book on the entire event, with half of the money going to a memorial fund for the late Bailey and his family.

In his lab, Kawakita has realized an horrific truth; the creature didn't kill Whittlesey and take his pendant as a trophy, it actually WAS Whittlesey. He speculates that the Kothoga, having failed with Mbwun using their own people, had decided to feed the plant to a white man instead, hoping the resulting creature would be easier to control. The gamble failed, and Whittlesey was able to survive on the plants for years before their destruction, and he followed his own samples back home to the museum. Thanks to the samples that survived and were analyzed, Kawakita manages to develop a drug that would turn the users into addicts first, then into Mbwun. He begins selling it on the street, reflecting that the Kothoga's problem had been that Mbwun was able to feed on the plants himself whenever he wanted, and so they had no hold over it. Now, as the only person alive capable of making the drug, the creatures would never turn on him; he would have total control over the creatures and succeed where the Kothoga failed.

Characters (novel)

Major Characters

• NYPD Lieutenant Vincent D'Agosta, a police officer working to solve the murders
• Margo Green, a graduate student working at the museum
• Dr. Frock, Green's advisor and department head at the museum
• William Smithback, Jr., an ambitious journalist who is writing a book about the exhibition for the museum
• Special Agent Aloysius X. L. Pendergast, a secretive and highly resourceful FBI Special Agent

Minor Characters

• Dr. Ian Cuthbert, deputy head of the museum; he is aware that something is in the museum
• Gregory Kawakita, he eventually discovers what/who Mbwun really is
• Julian Whittlesey, the anthropologist who goes looking for the lost Kothoga tribe; he has not been heard of since he left for his expedition, although the crates containing his findings did make it to the museum, having been sent back before his disappearance

Sequel novel

• Relic was followed by the bestselling sequel, Reliquary (1997)
• Aloysius Pendergast, who is introduced in Relic, also appears in several of Preston's and Child's following novels, along with Smithback, Green, and D'Agosta.

Film adaptation

Main article: The Relic (film)

A film based on the book was released in 1997, but changed several aspects of the story, omitting numerous characters and changing the setting to the Chicago Museum of Natural History rather than the New York Museum of Natural History (fictional but strongly based on the American Museum of Natural History). The film was directed by Peter Hyams and stars Penelope Ann Miller as Dr. Margo Green, Tom Sizemore as Lt. Vincent D'Agosta, and Linda Hunt as Dr. Ann Cuthbert.

Changes from the novel

The film gives away key plot points throughout its duration of the film; in contrast, in the novel, the explanation is delivered in the last few pages, giving the book a twist ending. The movie has a similar twist during its climax. The following table details additional changes.

Name	Character description from the novel	Character description from the film
Margo Green	Is described as an introverted graduate student. Had an indirect role in the killing of the creature by assisting Pendergast.	Is a Doctor of evolutionary biology. Is brownish blonde, feisty, and assertive. In addition, she kills the creature. Played by Penelope Ann Miller
Lt. Vincent D’Agosta	Described as overweight, and approaching early middle age; disdainful of superstitions	Is younger and more athletic. Also extremely superstitious. Played by Tom Sizemore.
Dr. Frock	Survives by hiding in an office in his wheelchair while Margo and Pendergast run on ahead to get to a place where they are able to kill the creature.	Is slain by the creature; character is played by James Whitmore.
Dr. Ian Cuthbert	Survives a close encounter with the monster, at the expense of his sanity, his boss, and his public relations director.	Changed to a female character, Dr. Ann Cuthbert, played by actress Linda Hunt.
Gregory Kawakita	An intellectual loner, prefers to research on his own. Born in Japan, raised in Britain. It is shown in the epilogue that he figured out the origins of the creature.	Is renamed Greg Lee; he is a Chinese-American and is depicted as obsequious and underhanded. He is played by Chi Moui Lo. Is killed by the monster.
Agent Pendergast	Smooth-talking, urbane, and extremely clever FBI Agent from New Orleans	He is completely written out; his role is combined with Lt. Vincent D’Agosta.
William "Bill" Smithback	Entertaining but nosy journalist writing a book for the museum's "Superstition" exhibit; friend of Margo Green. Helps D'Agosta get a group of guests, including the Mayor of New York City, out of the Museum.	Completely cut from film, no replacement.
The Museum Monster	Named "Mbwun" (translation: "He Who Walks On All Fours"). It is worth noting that this translation matches the Navajo name for a Skinwalker (yee naaldlooshii) or, "With it, He goes on all fours." Description, at best, is a "scaly primate." Characterized by an unusual smell and glowing red eyes. The DNA of this creature includes gecko genes. Is described as being "as fast as a greyhound with the intelligence of a human." Was much stealthier than its movie counterpart. Received more sympathy in the novel; both Margo and Ian Cuthbert described it as "lonely" and "sad." Used to be archaeologist Julian Whittlesey. Transformation time may have been the same, but the time from arrival in New York to killing humans is measured in years rather than weeks, and begins with small animals. There is some evidence of the monster retained some sentimental feelings of his human life. The packing crate that contained the Mbwun plant the monster needed was stored for a time at the museum and allowed the monster to survive without killing. Only after the crate and dried plants were moved beyond its reach did it turn to killing. The creature's skull and hide were durable enough that bullets fired at its head were deflected. It is finally killed by Agent Pendergast who shoots it through its eye socket with a large caliber handgun.	Named "Kothoga" (the name was used for the tribe worshipping/creating Mbwun in the novel). Is more massive and somewhat insect-like, it has large mandibles sprouting form the side of its face, similar to a stag beetle, resembles a reptilian tiger and walks and runs like a big cat. It had a hairy spine and a forked tongue, with long and curvy sharp teeth, it also has a long and flexible reptillian tail. Instead of red, its eyes are green. There was also very little sympathy towards it. Used to be archaeologist John Whitney, and it has subtle human features as it has wide shoulders, and a human like forehead. Began killing humans almost immediately upon arrival in Chicago and actually killed the crew of the ship that brought it to the city. The crate containing the plant was destroyed almost immediately upon arrival in the museum in Chicago as a precaution against possible biohazard. NOTE: Actually, there are two museum monsters in the movie; the other is a bug which eats the Kothoga plant and, as a result, becomes a massive and hideous exaggeration of itself. Margo crushes it to death with a biochemistry textbook.

External links

• Relic page from Preston & Child's official web site
• Relic at IMDb