Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
Analysis
Prelude
The prelude is 38 bars long, and consists mostly of a repeating motif. The motif consists of running sixteenth notes in the form of broken chords in both hands. Below are the first four bars of the prelude:
The first four bars of the prelude.
Audio file "Prelude in c minor BWV847.wav" not found
The prelude continues like so for 33 bars, with different harmony and changes of key. The coda begins at the 34th bar, where a sudden change of texture and tempo occurs. In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes. This new motif is repeated twice, after which a succession of sixteenth notes ends the prelude on a picardy third.
Fugue
The fugue is 31 bars long, and is written for 3 voices. Below is the two measure subject of the fugue, which starts in the middle voice:
Just like most fugues in the baroque period, the subject is then repeated in the top voice in the dominant key (G minor), and then repeated once more in the lowest voice, again in the home key. The fugue then continues with a development, and then another repetition of the subject in the home key. Just like the prelude, the fugue ends with a picardy third.
References
- Bach, Johann Sebastian. "Prelude and Fugue No. 2 in C Minor." The Well Tempered Clavier, Books 1 and 2. Ed. Saul Novak.
External links
|
Organ |
- Fugue in G minor, BWV 131a (doubtful)
- Sonatas, BWV 525–530
- Prelude and Fugue in C major, BWV 531
- Prelude and Fugue in D major, BWV 532
- Fantasia and Fugue in C minor, BWV 537
- Toccata and Fugue in D minor ("Dorian"), BWV 538
- Toccata and Fugue in F major, BWV 540
- Fantasia and Fugue in G minor ("Great"), BWV 542
- Prelude and Fugue in A minor, BWV 543
- Prelude and Fugue in B minor, BWV 544
- Prelude and Fugue in C minor, BWV 546
- Prelude and Fugue in E minor ("Wedge"), BWV 548
- Eight Short Preludes and Fugues, BWV 553–560 (doubtful)
- Fantasia and Fugue in C minor, BWV 562
- Toccata, Adagio and Fugue in C major, BWV 564
- Toccata and Fugue in D minor, BWV 565 (doubtful)
- Prelude (Toccata) and Fugue in E major, BWV 566
- Fantasia ("Pièce d'Orgue") in G major, BWV 572
- Fugue in G minor ("Little"), BWV 578
- Passacaglia and Fugue in C minor, BWV 582
- Concertos, BWV 592–597
- Orgelbüchlein, BWV 599–644
- Schübler Chorales, BWV 645–650
- Great Eighteen Chorale Preludes, BWV 651–668
- Chorale partita Sei gegrüßet, Jesu gütig, BWV 768
- Canonic Variations on "Vom Himmel hoch da komm' ich her", BWV 769
- Neumeister chorales, BWV 1090–1120
- Chorale fantasia Wo Gott der Herr nicht bei uns hält, BWV 1128
|
Keyboard |
- Aria variata alla maniera italiana
- Capriccio on the departure of a beloved brother
- Chromatic Fantasia and Fugue
- Harpsichord solo concertos
- English Suites
- Fantasia and Fugue in C minor, BWV 906
- French Suites
- Goldberg Variations
- Inventions and Sinfonias
- Italian Concerto
- Overture in the French style
- Partitas, BWV 825–830
- Six Little Preludes, BWV 933–938
- The Well-Tempered Clavier, BWV 846–893
- I: C, BWV 846
- c, BWV 847
- C♯, BWV 848
- c♯, BWV 849
- e, BWV 855
- g, BWV 861
- II: C, BWV 870
- c, BWV 871
- c♯, BWV 873
- d, BWV 875
- f, BWV 881
- g♯, BWV 887
- b♭, BWV 891
- b, BWV 893
- Toccatas, BWV 910–916
|
Lute |
|
Mixed
collections |
|
|