Portal:Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian era partnership of librettist W. S. Gilbert (1836–1911) and composer Arthur Sullivan (1842–1900). Together, they wrote fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance, and The Mikado are among the best known. Gilbert, who wrote the words, created fanciful "topsy-turvy" worlds for these operas, where each absurdity is taken to its logical conclusion—fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates turn out to be noblemen who have gone wrong. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Producer Richard D'Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy Theatre in 1881 to present their joint works—which came to be known as the Savoy Operas—and he founded the D'Oyly Carte Opera Company, which performed and promoted their works for over a century. The Gilbert and Sullivan operas have enjoyed broad and enduring international success and are still performed frequently throughout the English-speaking world. The collaboration introduced innovations in content and form that directly influenced the development of musical theatre through the 20th century. The operas have also influenced political discourse, literature, film and television and have been widely parodied and pastiched by humorists.
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Ruddigore, or The Witch's Curse, is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that Ruddygore (as it was originally spelled) did not measure up to its predecessor, The Mikado. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, the Illustrated London News praised the work and both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody prevails; while, in the latter, the music of the most grotesque situations is redolent of fun."Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
Gilbert and Sullivan created fourteen comic operas, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, many of which are still frequently performed today. However, events around their 1889 collaboration, The Gondoliers, led to an argument and a lawsuit dividing the two. In 1891, after many failed attempts at reconciliation by the pair and their producer, Richard D'Oyly Carte, Gilbert and Sullivan's music publisher, Tom Chappell, stepped in to mediate between two of his most profitable artists, and within two weeks he had succeeded. This cartoon in The Entr'acte expresses the magazine's pleasure at the reuniting of D'Oyly Carte (left), Gilbert (centre), and Sullivan (right).
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George Grossmith (9 December 1847 – 1 March 1912) was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines. Grossmith is best remembered for two aspects of his career. First, he created a series of nine memorable characters in the comic operas of Gilbert and Sullivan from 1877 to 1889, including Sir Joseph Porter, in H.M.S. Pinafore (1878), the Major-General in The Pirates of Penzance (1880) and Ko-Ko in The Mikado (1885–87). Second, he wrote, in collaboration with his brother Weedon, the 1892 comic novel Diary of a Nobody. Grossmith was also famous in his day for performing his own comic piano sketches and songs, both before and after his Gilbert and Sullivan days, becoming the most popular British solo performer of the 1890s. Some of his comic songs endure today, including "See Me Dance the Polka". He continued to perform into the first decade of the 20th century. His son, George Grossmith, Jr., became a famous actor, playwright and producer of Edwardian musical comedies.Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
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A 1913 recording of "The Lost Chord" sung by Reed Miller. The lyrics are by Christian mystic poet Adelaide Anne Procter, and were set to music by Arthur Sullivan at the bedside of his dying brother, Fred Sullivan, to whom the song is dedicated. "The Lost Chord" proved immediately successful and remains one of the most enduring of Sullivan's non-operatic compositions.
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- ...that it was John Hollingshead (pictured) who brought together Gilbert and Sullivan in 1871?
- ...that Lawrence Turner, who presented a Parliamentary petition calling for W. S. Gilbert's copyright on the libretti of Gilbert and Sullivan operas to be extended indefinitely, was the grandson of comic actor George Grossmith who starred in them?
- ... that less than two years after Julia Goss thought she failed her audition, she became the principal soprano of the D'Oyly Carte Opera Company?
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The Triumvirate: W. S. Gilbert • Arthur Sullivan • Richard D'Oyly Carte
The Gilbert and Sullivan Operas: Thespis • Trial by Jury • The Sorcerer •H.M.S. Pinafore • The Pirates of Penzance • Patience • Iolanthe • Princess Ida • The Mikado • Ruddigore • The Yeomen of the Guard • The Gondoliers • Utopia, Limited • The Grand Duke
Other Works, People and Related Matters: Other Works by W. S. Gilbert • Other Operas by Arthur Sullivan • Other Music by Arthur Sullivan • Savoy opera • People associated with Gilbert and Sullivan • Gilbert and Sullivan performers • D'Oyly Carte Opera Company • Helen Carte • Rupert D'Oyly Carte • Bridget D'Oyly Carte • Cultural influence of Gilbert and Sullivan • International Gilbert and Sullivan Festival
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