Linn 9000

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Linn 9000
Linn 9000 integrated digital drum machine and MIDI keyboard recorder.
Linn 9000 integrated digital drum machine and MIDI keyboard recorder.
Manufacturer Linn Electronics
Dates 1984-1986
Price US $5,000 ($7,000 fully expanded)
Technical specifications
Polyphony polyphonic 13 voices
Timbrality multitimbral 18 voices
Synthesis type 8 bit Digital Samples / 11 kHz - 37kHz
Memory 100 Drum Sequences, 100 MIDI Sequences - 10,490 notes
Effects Individual level, pan, tuning for all sounds
Input/output
Keyboard 18 large (1.25 inch square) velocity and pressure sensitive rubber pads
External control MIDI In/Out/Thru, Foot Switch x2, Foot Controller x1 (hi-hat), Sync Tone In/Out, trigger outputs x2, trigger inputs x6

The Linn 9000 is an electronic musical instrument manufactured by Linn Electronics as the successor to the LinnDrum. It was introduced in 1984 at a list price of $5,000, ($7,000 fully expanded) and about 1100 units were produced.[1]

It combined MIDI sequencing and audio sampling (optional) with a set of 18 velocity and pressure sensitive performance pads, to produce an instrument optimized for use as a drum machine. It featured programmable hi-hat decay, 18 digital drum sounds, a mixer section, 18 individual 1/4" outputs, an LCD display, 6 external trigger inputs and an internal floppy disk drive (optional).[2]

The Linn 9000 had innovative and groundbreaking features[3] and would influence many future drum machine designs.[4][5]

But chronic software bugs[6][7] led to a reputation for unreliability and contributed to the eventual demise of Linn Electronics.[8][9]

The Linn 9000 would get a new lease on life when Forat Music and Electronics purchased Linn's remaining assets,[10] fixed all of the bugs,[11] added new features[12] and dubbed it the Forat F9000.

History

The Linn 9000 would be Roger Linn's first attempt to create an integrated sampling/sequencing/MIDI work station. He would draw heavily on the Linn 9000 and the Sequential Circuits Inc. Studio 440 when he designed the Akai MPC60,[4][5] released in 1988.

The Linn 9000 was plagued with problems from the beginning.[6][7]

On early models, the power supply over-heated the CPU and had to be replaced under warranty. The original Linn 9000 operating system was mostly written in an esoteric high-level programming language called FORTH with some machine language. In early versions, some of the FORTH code produced unacceptable delays in user interface functions and was rewritten in machine language. But the operating system had numerous bugs and it was common for the machine to lock-up and lose data.

Linn attempted to debug, rewrite and enhance the operating system. But the 64K code space memory segmentation in the Intel 8088 was perceived as an insurmountable limitation on memory that left no room for new features. Further software development was abandoned.

The flawed Linn 9000 operating system was also used in the LinnSequencer,[13] a rack mount 32 track hardware MIDI sequencer introduced by Linn Electronics in 1985. As a result, both machines earned a reputation for being notoriously unreliable. In addition, the same operating system was used in the LinnDrum Midistudio, a rack mount version of the Linn 9000 that was planned to be the successor to the 9000, but was never released.

These issues contributed to the eventual demise of Linn Electronics in 1986.[8][9] Forat Music and Electronics purchased Linn's remaining assets,[10] completely reinvented the Linn 9000,[12] fixed all of the bugs[11] and dubbed it the Forat F9000; released in 1987.

Features

The Linn 9000 has eighteen 8 bit 11 kHz ~ 37 kHz digitally sampled drum sounds: bass, snare, sidestick, hihat, two crash cymbals, two ride cymbals, four toms, cabasa, tambourine, high and low congas, cowbell and clap.

The Linn 9000 had many firsts.[2][3]

In addition to being the first drum machine to incorporate a MIDI sequencer, it was the first drum machine with custom sounds, sampling capability (optional), a floppy disk drive (optional) and an LCD display.

The programmable hi-hat decay is a unique feature[14] that provides seven open hi-hat positions in addition to the closed hi-hat, allowing for subtle and expressive performances.

The Linn 9000's most distinctive feature was 18 large (1.25 inch square) velocity and pressure sensitive rubber pads. Pad pressure is used for the Note Repeat feature. If you hold Timing Correction and apply continuous pressure to a pad while in record mode, that note is automatically repeated at the Timing Correction note value setting. The velocity (volume) level of each repeated note is determined by the amount of pressure applied at the time the note is played. Similar rubber pads would be seen on many subsequent drum machines and controllers including the Akai MPC60[4] and the Akai MPC4000.[5]

Standard Features

  • 32 track MIDI hardware sequencer
  • 18 digital sample drum sounds
  • 18 rubber velocity and pressure sensitive pads
  • Note repeat
  • Programmable 8 position hi-hat decay
  • A mixer section providing real time control over volume, tuning, and pan
  • 18 on-board sliders and pan pots
  • 18 individual 1/4" outputs
  • Back lit LCD display screen
  • Online help
  • Cassette Interface: mic-in, line-in, line-out
  • 6 external trigger inputs (expandable to 12)

Optional Features

  • 12 external trigger inputs (6 standard)
  • Internal 3.5" double density floppy disk drive
  • Digital sampling capability
  • Up to 4 custom sounds
  • SMPTE (never deployed by Linn)

Brochure (1984)

page 1
page 2 and 3
page 4

Architecture

The Linn 9000 circuitry is deployed as a mother board with 14 slots. Daughter boards are used to deploy standard and optional features, with slots on the back panel resembling PCs of the time. It uses the Intel 8088 CPU chip.

Discography

Artist Album Songs Year
Alan Silvestri OST Flight of the Navigator "Robot Romp" 1986
Babyface 1987-1994
Bad Boys Blue Heartbeat "I Wanna Hear Your Heartbeat (Sunday Girl)" 1986
Chicago Chicago 18 1986
Cutting Crew Broadcast "(I Just) Died in Your Arms" 1986
Eric Carmen OST Dirty Dancing "Hungry Eyes" 1987
Earl Klugh Life Stories "Second Chances" 1987
Earth, Wind & Fire Touch The World "System of Survival" 1987
Fancy "Bolero". "Latin Fire", "Flames Of Love" 1985-1988
Hall & Oates Ooh Yeah! 1988
George Michael Faith "I Want Your Sex" 1987
Glenn Frey OST Beverly Hills Cop "The Heat Is On" 1985
Jean Michel Jarre Rendez-Vous "Second Rendez-Vous" 1986
Lokassa Ya Mbongo Adiza 1985
Martika Toy Soldiers 1989
Michael Cretu Die Chinesische Mauer "Samurai" 1985
Michael Jackson Bad "Bad", "Man in the Mirror", "Liberian Girl" 1987
Modern Talking The First Album "You're My Heart, You're My Soul" 1985
Nine Inch Nails Pretty Hate Machine 1989
Patrick Leonard
Queen "A Kind Of Magic" 1986
Rick Astley "Never Gonna Give You Up" 1987
Russ Freeman Nocturnal Playground 1985
The Rippingtons Moonlighting 1986, Kilimanjaro 1988, Tourist in Paradise 1989, Welcome to the St. James' Club 1990
Sigue Sigue Sputnik "Love Missile F1-11" 1986
Stacey Q "Two of Hearts" 1986
Stock Aitken Waterman 1984-1988
Sandra The Long Play "In the Heat of the Night", "(I'll Never Be) Maria Magdalena", "Little Girl" 1985
Sandra Mirrors "Loreen", "Innocent Love" "Hi! Hi! Hi!" 1986
Vince DiCola Rocky IV OST 1985

References

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External links