Jo Davidson

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Jo Davidson at his studio in the Avenue du Main, Paris

Jo Davidson (30 March 1883 – 2 January 1952) was an American sculptor. Although he specialized in realistic, intense portrait busts, Davidson did not require his subjects to formally pose for him; rather, he observed and spoke with them. He worked primarily with clay, while the final products were typically cast in terra-cotta or bronze, or carved from marble.

Life and career

Young American Artists of the Modern School, L. to R. Jo Davidson, Edward Steichen, Arthur B. Carles, John Marin; back: Marsden Hartley, Laurence Fellows, c. 1911, Bates College Museum of Art

Davidson was born in New York City, where he was educated before going to work in the atelier of Hermon Atkins MacNeil. He subsequently moved to Paris to study sculpture at the Ecole des Beaux-Arts in 1907. After returning to the United States, he was befriended by Gertrude Vanderbilt Whitney, who purchased some of his work.

In 1911 Davidson secured his first solo gallery shows. He was one of a dozen sculptors invited by the oilman E. W. Marland to compete in his competition for a Pioneer Woman statue in Ponca City in 1927.[1] He did not win the commission.

In 1934 Davidson won the National Academy of Design's Maynard Prize. In 1944, he was elected into the National Academy of Design as an Associate Academician. In 1947 the American Academy of Arts and Letters hosted a retrospective featuring nearly 200 of his works. In the summer of 1949, Davidson was one of 250 sculptors who exhibited in the 3rd Sculpture International held at the Philadelphia Museum of Art.

Among Davidson's commissions are a design for a United States War Industries badge, a collection of pieces for the Government of France to commemorate the first victory of the Troupes de Marine, and bronze busts of the leaders of the First World War Allies.[2] His portraits of world leaders and celebrated personalities gained him international acclaim. He created statues of E. W. Marland and his two adoptive grown children.

Commissions

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E. W. Marland, Ponca City, Oklahoma
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Lydie Marland
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Walt Whitman Bridge Entrance, Philadelphia

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Collections

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Members of the Independent Voters Committee of the Arts and Sciences for Roosevelt visit FDR at the White House (October 1944). From left, Van Wyck Brooks, Hannah Dorner, Jo Davidson, Jan Kiepura, Joseph Cotten, Dorothy Gish, Dr. Harlow Shapley.
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Progressive Citizens of America members, 1947. From left, seated, Henry A. Wallace, Elliott Roosevelt; standing, Dr. Harlow Shapley, Jo Davidson

Some of Davidson's work is in the National Gallery of Art.

He also designed a statue of Henry D. Thoreau, the author of the book Walden. The statue is located at Walden Pond State Reservation in Concord, Massachusetts.

In 2006, The Smithsonian Institution's National Portrait Gallery opened a permanent exhibition, "Jo Davidson: Biographer in Bronze", showcasing fourteen Davidson works in terracotta and bronze, including portraits of Gertrude Stein and Lincoln Steffens.

Political activity

Davidson was chairman of the Independent Citizens Committee of Artists, Scientists, and Professionals (ICCASP), a leftist-liberal group that supported the policies of President Franklin Roosevelt and his re-election. In 1946 this group merged with the National Citizens Political Action Committee (NCPAC) to become the Progressive Citizens of America (PCA); Davidson became co-chairman (the other chairman being Dr. Frank Kingdon). PCA struggled during tensions of the Cold War and fought for racial equality, economic justice and civil liberties. Important segments of the PCA became the base for Henry Wallace's candidacy for U.S. President in 1948 on the Progressive Party ticket.

References

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Sources

  • Armstrong, Craven et al., 220 Years of American Sculpture, Whitney Museum of Art & David R. Goodine, Publisher, NY 1976
  • Compilation of Works of Art and Other Objects in the United States Capitol, Prepared by the Architect of the Capitol under the Direction of the Joint Committee on the Library, United States Government Printing Office, Washington D.C. 1965
  • Connor, Janis and Joel Rosenkranz, photographs by David Finn, Rediscoveries in American Sculpture: Studio Works, 1893 - 1939, University of Texas Press, Austin TX 1989
  • Craven, Wayne, Sculpture in America: From the Colonial Period to the Present, Thomas Y, Crowell Company, NY 1968
  • Davidson, Jo, Between Sittings: an informal autobiography, The Dial Press, NY 1951
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External links

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  1. ↑ ’Exhibition of Models for a Monument to the Pioneer Woman, Art Institute of Chicago, June 25 to August 1, 1927
  2. ↑ Davidson. Jo, ‘’Between Sittings: An Informal Autobiography of Jo Davidson’’, The Dial Press, NY : 1951, p. 134
  3. ↑ Prijem američkog vajara Džo Dejvidsona i poziranje. foto.mij.rs
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