Ib Benoh

Ib Benoh
Born	Ibrahim Benoh 1947 Damascus, Syria
Nationality	American

Ib Benoh (born 1947) is a multidisciplinary artist, painter, sculptor, poet, and scholar. Benoh lives and works in Washington, DC.

Early life and education

"Benoh attended the Center of Fine Arts in Damascus for eight years and received his BA from the Academy of Fine Arts in Rome in 1977. He was commissioned to design and execute a 13 meter bas-relief for the city of Damascus in 1970.

A member of the Advisory Association of Fine Arts in Damascus, he was also involved with a group called the Unity of Fine and Plastic Arts in Tripoli, Libya. Benoh participated in group exhibits of Arab artists in Kuwait and Libya in 1973 and in the First Arab Biennial in Bagdad, Iraq, in 1974 winning first prize in a national competition in Libya in 1976 for painting. The artist's first one man show was in Rome in 1977."

Life in the United States

Since 1977 Benoh has been residing in the United States. He had his first U.S. solo show in the summer of 1978; an exhibition of his poetry-infused ink drawings, and paintings depicting forms of quarter-moon and domed buildings in whorls of color.

Education

Benoh earned an MFA in Painting from RISD in 1980, and a D.A. in Studio Art from NYU in 1993.

Teaching

Benoh taught art at various colleges and universities, lastly the George Washington University, Washington, DC.

Excerpts of art projects

In the early 1980s, Benoh produced a series of three-dimensional paintings. Some of this work consisted of acrylic on cut-away strips of rectangular cardboard, which were displayed unframed and shown at Betty Parsons Gallery, New York City, and at William Francis Gallery, Providence, RI, and were reviewed in 1981 by Kim Clark of The New Paper, who said that "Benoh, like the Cubists, is concerned with dimensionality - the timeless conundrum of transforming three dimensions to a two-dimensional surface." The artist "manipulates our perception of different colors so that what looks deep is sometimes shallow, and vice versa."

Sculptural quality is also evident in his two-dimensional work that followed. Of Benoh's 1983 exhibition at Tossan-Tossan Gallery - a New York City gallery that represented Benoh at the time - reviewer Claude LeSuer of ArtSpeak supported this notion, saying: "An almost sculptural quality is achieved by the way the pinned-down paper swells away from the wall, echoing the curve of painted forms."

Benoh articulates this continuum of shifting between dimensions in his doctoral dissertation, An Examination Of The Process of Transforming Two Dimensional Constructions Into Three Dimensional Art Works:

"The six projects developed for this study explore spatial effects that take place in two and three-dimensional works in which constant shifting takes place between illusionistic and realistic space."

Ongoing concerns

A reoccurring concern in Benoh's works is that of empathy and harmony between people, species and the environment.

Some of his drawings contain poems in Arabic, incorporated into the design, one of which with "the motto 'Don't kill the whales' in several versions in the tail of a representation of the sea mammal." Another of Benoh's one-line ink drawings depicts a hunchback, along with several variations of a poem that say not to blame the hunchback for being a hunchback. And, the artist's paintings, which were shown accompanied by these drawings in his 1978 exhibition, "are expressive of Benoh's philosophy of universal love."

In his 2005-2006 painting series, Breaking Boundaries, which were exhibited at the Roberson Museum and Science Center of Binghamton, NY, Benoh depicts a struggle between animal and human forms, alerting to the dehumanization, which results from man-made divisions. This work "was conceived when reflecting on the human tragedies that have befallen the world of late” -as well as "man-made conflicts of humans with their natural environment, with animals, with other humans, and within individuals themselves".

Albert Boime describes Benoh’s 2004 "End of a World" painting as a "colossal panorama ... inspired by the attacks of 9/11 and the invasion of Iraq”. Benoh's "post-Abstract Expressionist tendencies and Cubistic analysis here correspond to the negative impact of world events", Boime explains, but that the artist "insists on salvaging it by reclaiming it symbolically in a creative act". And, Benoh states "As an artist, I do not express my feelings to one part but all-disseminating a bit of this energy to everything I have come to know and beyond”.