Grand Prix (Belgian Film Critics Association)
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The Grand Prix is an award presented annually by the Belgian Film Critics Association (French: Union de la Critique de Cinéma, UCC), an organization of film critics from publications based in Brussels, Belgium.
The Grand Prix was introduced in 1954 by the organizing committee to honor the "film that contributed the most to the enrichment and influence of cinema".[1] In December of each year, the organization meets to vote for films released in the previous calendar year. To determine the nominations, ballots are sent in by the members – select knowledgeable film enthusiasts, academics, filmmakers, and journalists – and subsequently tabulated in order to decide the winner.
Contents
Winners and nominees
In the following lists, the first titles listed are winners. These are also in bold and; those not in bold are nominees.
1950s
| Year | Film | Director |
|---|---|---|
| 1955 | Neapolitan Carousel (Carosello napoletano) | Ettore Giannini |
| 1956 | Children, Mother, and the General (Kinder, Mütter und ein General) | László Benedek |
| 1957 | Picnic | Joshua Logan |
| 1958 | 12 Angry Men | Sidney Lumet |
| 1959 | Paths of Glory | Stanley Kubrick |
1960s
| Year | Film | Director |
|---|---|---|
| 1960 | Hiroshima mon amour | Alain Resnais |
| 1961 | The Left Handed Gun | Arthur Penn |
| 1962 | Viridiana | Luis Buñuel |
| 1963 | The Miracle Worker | Arthur Penn |
| 1964 | Ride the High Country | Sam Peckinpah |
| 1965 | Dr. Strangelove | Stanley Kubrick |
| 1966 | The Knack ...and How to Get It | Richard Lester |
| 1967 | The Woman in the Dunes (Suna no onna) | Hiroshi Teshigahara |
| 1968 | Accident | Joseph Losey |
| 1969 | Daisies (Sedmikrásky) | Věra Chytilová |
1970s
| Year | Film | Director |
|---|---|---|
| 1970 | Ådalen 31 | Bo Widerberg |
| 1971 | They Shoot Horses, Don't They? | Sydney Pollack |
| 1972 | The Conformist (Il conformista) | Bernardo Bertolucci |
| 1973 | Cabaret | Bob Fosse |
| 1974 | Fat City | John Huston |
| 1975 | Somewhere Beyond Love (Delitto d'amore) | Luigi Comencini |
| 1976 | Aguirre, the Wrath of God (Aguirre, der Zorn Gottes) | Werner Herzog |
| 1977 | A Woman Under the Influence | John Cassavetes |
| 1978 | Dodes'ka-den (Dodesukaden) | Akira Kurosawa |
| 1979 | Harlan County, USA | Barbara Kopple |
1980s
| Year | Film | Director |
|---|---|---|
| 1980 | Newsfront | Phillip Noyce |
| 1981 | The Herd (Sürü) | Zeki Ökten |
| 1982 | The Elephant Man | David Lynch |
| 1983 | Cutter's Way | Ivan Passer |
| 1984 | Zelig | Woody Allen |
| 1985 | The Draughtsman's Contract | Peter Greenaway |
| 1986 | Stranger Than Paradise | Jim Jarmusch |
| 1987 | Alpine Fire (Höhenfeuer) | Fredi M. Murer |
| 1988 | Wings of Desire (Der Himmel über Berlin) | Wim Wenders |
| 1989 [2] |
Bird | Clint Eastwood |
| Babette's Feast (Babettes gæstebud) | Gabriel Axel | |
| Lunga vita alla signora! | Ermanno Olmi | |
| Hope and Glory | John Boorman | |
| House of Games | David Mamet |
1990s
2000s
2010s
References
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