Chapter Three: Viva Emiliano Zapata
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| Chapter Three: Viva Emiliano Zapata | ||||
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| Studio album by Gato Barbieri | ||||
| Released | September 1974[1] | |||
| Recorded | June 25-26, 1974 Generation Sound Studios, New York |
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| Genre | Jazz | |||
| Length | 34:54 | |||
| Label | Impulse! ASD-9279 |
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| Producer | Ed Michel | |||
| Gato Barbieri chronology | ||||
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Chapter Three: Viva Emiliano Zapata is an album by Argentinian saxophonist and composer Gato Barbieri released on the Impulse! label.[2]
Reception
The Allmusic review by Thom Jurek awarded the album 4 stars calling it "a stellar recording, and of the four chapters in the series, the one most accessible to most jazz fans".[3]
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   [3] |
| The Rolling Stone Jazz Record Guide | [4] |
Track listing
- All compositions by Gato Barbieri except as indicated
- "Milonga Triste" (Homero Manzi, Sebastian Piana) - 5:00
- "Lluvia Azul" - 7:44
- "El Sublime" - 5:51
- "La Padrida" - 4:46
- "Cuando Vuelva a Tu Lado (What a Difference a Day Makes)" (Stanley Adams, María Grever) - 5:27
- "Viva Emiliano Zapata" - 6:06
The album was recorded on June 25 (tracks 1, 4) and June 26 (tracks 2-3, 5), 1974.
Personnel
- Gato Barbieri - tenor saxophone
- Randy Brecker, Bob McCoy, Victor Paz - trumpet, flugelhorn
- Buddy Morrow - trombone
- Alan Raph - bass trombone
- Ray Alonge, Jim Buffington - French horn
- Howard Johnson - tuba, flugelhorn, bass clarinet, baritone saxophone
- Seldon Powell - piccolo, flute, alto flute, alto saxophone, baritone saxophone
- Eddie Martinez - piano, electric piano
- Paul Metzke - electric guitar
- George Davis - electric guitar, acoustic guitar
- Ron Carter - bass, electric bass
- Grady Tate - drums
- Ray Armando, Luis Mangual, Ray Mantilla, Portinho - Latin percussion
- Chico O'Farrill - arranger, conductor
References
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<references />, or <references group="..." />- ↑ Billboard Sept 28, 1974
- ↑ Impulse! Records discography accessed January 9, 2012
- ↑ 3.0 3.1 Jurek, T. Allmusic Review accessed January 9, 2012
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