Cham dance

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File:ChamDance.jpg
The Black Hat Dance (Shana Ngancham, Wylie: zhwa nag rnga 'cham),[1] performed at the Honolulu Museum of Art.

The cham dance (Tibetan: འཆམ་, Wylie: 'cham; Chinese: 跳欠; pinyin: tiàoqiàn),[2][3] is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals. The dance is accompanied by music played by monks using traditional Tibetan instruments. The dances often offer moral instruction relating to compassion for sentient beings and are held to bring merit to all who perceive them.[1][4]

Cham dances are considered a form of meditation and an offering to the gods. The leader of the cham is typically a musician, keeping time using some percussion instrument like cymbals, the one exception being Dramyin Cham, where time is kept using dramyin.

Cham content

Chams often depict incidents from the life of Padmasambhava, the 9th century Nyingmapa teacher, and other saints.[5]

The great debate of the Council of Lhasa between the two principal debators or dialecticians, Moheyan and Kamalaśīla is narrated and depicted in a specific cham dance once held annually at Kumbum Monastery in Qinghai.[6]

Localities

Bhutan

In Bhutan, the dances are performed during an annual religious festival known as Tshechu, which is held in each district. The Cham are performed by monks,nuns,villagers.The Royal Academy of Performing Arts are the main body which emphasize on preservation of culture of cham and dances.

Tibet

Tibetans usually perform the cham dance to large audiences during the Monlam Prayer Festival.[7]

India

Dances are performed in Sikkim, Dharamsala and Ladakh during cultural and religious festivals.

See also

References

  1. ↑ 1.0 1.1 Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found. entry: 'cham.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ Dancing on the demon's back: the dramnyen dance and song of Bhutan, by Elaine Dobson, John Blacking Symposium: Music, Culture and Society, Callaway Centre, University of Western Australia, July 2003
  6. ↑ Roccasalvo, Joseph F.(1980). 'The debate at bsam yas: religious contrast and correspondence.' Philosophy East and West 30:4 (October 1980). The University of Press of Hawaii. Pp.505-520. Source: [1] (accessed: December 17, 2007)
  7. ↑ Lua error in package.lua at line 80: module 'strict' not found.

Further reading

  • Forman, Werner (photographs) & Rintschen, Bjamba (text) Lamaistische Tanzmasken: der Erlik-Tsam in der Mongolei. Leipzig: Koehler & Amelang, 1967 (text translated from Russian)

External links

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