A Man Could Get Killed
| A Man Could Get Killed | |
|---|---|
Theatrical release poster
|
|
| Directed by | Ronald Neame Cliff Owen |
| Produced by | Robert Arthur |
| Written by | David E. Walker Richard L. Breen T. E. B. Clarke |
| Starring | James Garner Melina Mercouri Sandra Dee Anthony Franciosa Robert Coote |
| Music by | Bert Kaempfert, Herbert Rehbein, Charles Singleton, Eddie Snyder, Buddy Scot, Jimmy Radcliffe |
| Cinematography | Gábor Pogány |
| Edited by | Alma Macrorie |
| Distributed by | Universal Pictures |
|
Release dates
|
<templatestyles src="Plainlist/styles.css"/>
|
|
Running time
|
97 minutes |
| Country | United States |
| Language | English |
A Man Could Get Killed is a 1966 adventure comedy film directed by Ronald Neame and Cliff Owen, shot on various locations in Portugal and starring James Garner, Melina Mercouri, Sandra Dee, Anthony Franciosa, and Robert Coote. The fourteen-year-old Jenny Agutter worked on the film but did not appear in the final cut.
The screenplay was written by Richard L. Breen, and T. E. B. Clarke and David E. Walker based on the Walker's novel Diamonds For Danger. The film introduced the melody of "Strangers in the Night" by German composer Bert Kaempfert which won the Golden Globe Award for "Best Original Song in a Motion Picture" of 1967.
Plot
A search is on for stolen diamonds and a government agent has been killed trying to recover them. When an unsuspecting William Beddoes arrives in Lisbon on behalf of an American bank, he is mistaken for the dead agent's replacement.
Hatton-Jones of the British embassy comes to Beddoes' aid. Also taking an interest is Aurora Celeste, the dead man's lover, as well as Steve Antonio, a smuggler, who is being pursued by the law's Amy Franklin.
Everyone ends up aboard a yacht belonging to Dr. Mathieson, who appears to be the mastermind of the crime and knows where the hidden diamonds are. Beddoes ends up engineering an escape for all once the gems are safely in the hands of Hatton-Jones, who turns out to be the dead agent's actual successor.
Beddoes collects reward money for his efforts. He heads for home, assuming he will never see any of these people again, but Aurora schemes to make sure he'll be back.
Cast
- James Garner as William Beddoes
- Melina Mercouri as Aurora Celeste
- Sandra Dee as Amy Franklin
- Tony Franciosa as Steve Antonio
- Robert Coote as Hatton-Jones
- Roland Culver as Dr. Mathieson
- Grégoire Aslan as Florian
- Cecil Parker as Sir Huntley Frazier
- Dulcie Gray as Mrs. Mathieson
- Martin Benson as Politanu
- Peter Illing as Zarik
- Niall MacGinnis as Ship's Captain
- Virgilio Teixeira as Inspector Rodrigues
- Isabel Dean as Miss Bannister
- Daniele Vargas as Osman
Production
The cast had a falling out with director Cliff Owen who was replaced by Ronald Neame in July 1965. Neame also recalled that co-stars James Garner and Tony Franciosa did not get on well and their fight in the film became a real brawl.[1]
This was the last film Sandra Dee made under contract of Universal. According to a 1965 interview with the actress, she "begged [the producers] not to make [her] do the picture. So I spent a miserable four months in Lisbon, little fishing villages and in Rome, making a picture that should have taken eight weeks. We had two changes of directors, and I ended up playing Come September all over again."[2]
Soundtrack
The score for A Man Could Get Killed was composed by the German Bert Kaempfert, partially with the assistance of Herbert Rehbein and performed by his orchestra. It introduced the melody of the song "Strangers in the Night", which in version by Frank Sinatra became a global number one hit and by now is considered a standard of easy listening music. The tune, listed in the original sound track as "Beddy Bye", permeates the movie throughout and won the Golden Globe Award for "Best Original Song in a Motion Picture" of 1967, beating the other nominated compositions "Un homme et une femme" by French orchestra leader Francis Lai, "Born Free" by John Barry, which won the 1966 Academy Award for Best Original Song, "Alfie" by Burt Bacharach, and "Georgy Girl" by Tom Springfield from the eponymous movies, the latter two also having been Oscar nominees of 1966.
The overall score to the movie, often resorting to Latin and even seemingly Greek influenced imagery, found a more mixed reception.[3] The soundtrack was produced by Milt Gabler and recorded at Polydor Studios, Hamburg, Germany. It was originally released on a LP by Decca (4750) and on a CD in 1999 by Taragon Records, then combined with Bert Kaempfert's LP Strangers in the Night (original release 1966, Decca (4795)).
References
- ↑ pp.208-209 Neame, Ronald with Cooper, Barbara Roisman Straight from the Horse's Mouth: Ronald Neame, an AutobiographyScarecrow Press, 27/09/2003
- ↑ "Hollywood Highlights" by Bob Thomas. Spokane Daily Chronicle, 20 December 1965. p. 15.
- ↑ Film and television scores, 1950–1979: a critical survey by genre, Kristopher Spencer, McFarland, 2008
External links
- Lua error in Module:WikidataCheck at line 28: attempt to index field 'wikibase' (a nil value). A Man Could Get Killed at IMDb
- A Man Could Get Killed at AllMovie
- James Garner interview on the Charlie Rose Show
- James Garner interview at Archive of American Television
