Overboard (film)
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File:Overboard film.jpg
Theatrical release poster
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Directed by | Garry Marshall |
Produced by | <templatestyles src="Plainlist/styles.css"/>
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Written by | Leslie Dixon |
Starring | <templatestyles src="Plainlist/styles.css"/>
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Music by | Alan Silvestri |
Cinematography | John A. Alonzo |
Edited by | <templatestyles src="Plainlist/styles.css"/>
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Production
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Star Partners Ltd.
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Distributed by | Metro-Goldwyn-Mayer |
Release dates
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Running time
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112 minutes[1] |
Country | United States |
Language | <templatestyles src="Plainlist/styles.css"/>
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Box office | $26.7 million |
Overboard is a 1987 American romantic comedy film directed by Garry Marshall, written by Leslie Dixon, and stars Goldie Hawn and Kurt Russell,[2] and produced by Roddy McDowall (who co-stars in the film). The film's soundtrack was composed by Alan Silvestri. In turn, it was adapted into the 2006 South Korean television series, Couple or Trouble. In recent years, it has become popular via cable television and has gained a cult following.
Plot
Spoiled heiress Joanna Stayton (Goldie Hawn) is accustomed to the life of the idle rich with her husband, Grant Stayton III (Edward Herrmann). While waiting for their yacht to be repaired in the rural hamlet of Elk Cove, Oregon, she passes the time by hiring local carpenter, Dean Proffitt (Kurt Russell), to remodel her closet. Dean puts up with her rude and condescending attitude and produces some quality work which is dismissed by Joanna because he used oak instead of cedar, despite her not having specifically asked for this at the start. When Dean agrees to redo the closet after he gets the money for the work done she refuses to pay and they have an argument - during which he astutely notes that she is inventing things to complain about because her life is so pampered and boring (this gets overheard by the ship's crew on the intercom who applaud Dean for telling her off) - which concludes with her pushing him off the ship and dumping his tools in the water after him.
Later that night, as the ship sails away from the harbor, Joanna goes out on deck to retrieve a lost piece of jewelery and falls overboard. The next day the local TV news shows a story about her having been picked out of the water around midnight by a garbage scow. Joanna is suffering from amnesia and is taken to the local hospital where no one can figure out who she is. Once Grant realizes Joanna has fallen overboard, he sails back to port to get her. After seeing Joanna's mental state and her lashing out at hospital employees, Grant denies knowing her and returns to the yacht to embark on a spree of parties with younger women.
After seeing her story on the local news, Dean, a widower living in squalor with four young sons, decides to seek revenge, or more specifically, get Joanna to work off her unpaid bill and losing his toolkit. He goes to the hospital and tells her that she is Annie, his wife of thirteen years and the mother of his sons. The hospital staff is eager for her to be gone, but they need binding proof Dean is responsible for Joanna, and he bears no legal documentation to do so. He is granted her release by telling them about a small birthmark on Joanna's behind, which he saw on the yacht when Joanna was wearing a revealing swimsuit. Joanna reluctantly goes home with him. Once there, Joanna is appalled by Dean's residence, but feels some obligation to pitch in, having come to think of herself as "Annie".
At first, Joanna has difficulty dealing with Dean's sons and the heavy load of chores. She soon adapts, however, and learns to cook, clean, do laundry, and care for the family dogs. As she masters her responsibilities, she learns about the boys' school and family issues and that Dean is secretly working two jobs to make ends meet. She begins to fall in love with him and his sons, and starts streamlining the money problems with more efficient budgeting. Joanna also tells off a persnickety teacher who gives the boys a hard time, accusing the public school of being more concerned with ranking than the well-being of their students.
Seeing Dean struggle, Joanna makes his dream come true by helping him design a miniature golf course based on her untapped knowledge of the Seven Wonders of the World. Although Dean has also fallen in love with her, he does not tell her the truth about her real identity for fear that she will leave. Even when Dean attempts to confess when she discovers a pair of expensive monogrammed underwear (which are actually hers) leading to think Dean is cheating, his friend Billy (Michael G. Hagerty), takes the blame. Billy, who also doctored photos of Joanna and Dean to cement the alibi of their prior relationship, tells Dean in private he covered for him because his family needs Joanna.
Meanwhile, after Joanna's mother Edith (Katherine Helmond) threatens Grant (who has been lying that Joanna is "too indisposed" to talk to her), he reluctantly ends the partying and returns to Elk Cove to retrieve her, tracing her to the Profitt residence. Joanna greets Grant and her memory is instantaneously restored. She is shocked and hurt when she realizes that Dean lied and has been using her for months. She returns with Grant to the yacht where Edith and Dr. Korman (Henry Alan Miller), their bumbling psychiatrist, are waiting.
Joanna now finds her old lifestyle stuffy and pretentious. That evening, after doing shots of tequila with the crew, she turns to Andrew (Roddy McDowall), her loyal butler, and apologizes for her poor treatment of him. Surprised and pleased, Andrew observes that unlike most people, she has been given an opportunity to see life from a different station than that to which she was born. Andrew also tells Joanna that she is the one who can decide how to use the new perspective. Realizing how happy she was with Dean and the boys, she commandeers the yacht and turns back toward Elk Cove. When Grant finds out, he admits he never loved her, and commandeers the yacht.
Meanwhile, Dean and the boys attempt to get her back with the help of Billy's friend who is in the Coast Guard. When they catch up to the yacht, Joanna and Dean both jump overboard. An incensed Grant attempts to shoot her with a bow and arrow only to be unceremoniously booted overboard by Andrew, who promptly gives his notice of resignation. Safely aboard the smaller vessel, Dean is impressed that Joanna left Grant for him, but she says the money and yacht are actually hers. Dean then asks her, "What could I possibly give you that you don't already have?" She looks at the boys, smiles, and replies, "A little girl."
Cast
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- Goldie Hawn as Joanna Stayton/Annie Proffitt
- Kurt Russell as Dean Proffitt
- Edward Herrmann as Grant Stayton
- Katherine Helmond as Edith Mintz
- Roddy McDowall as Andrew
- Michael G. Hagerty as Billy Pratt
- Brian Price as Travis Proffitt
- Jared Rushton as Charlie Proffitt
- Jamie Wild as Greg Proffitt
- Jeffrey Wiseman as Joey Proffitt
- Henry Alan Miller as Dr. Norman Korman
- Hector Elizondo as Garbage Scow Captain Tenati
- Sven-Ole Thorsen as Olaf
- Garry Marshall as Drummer
Reception
The film received a mixed reception from critics. Based on 24 reviews collected by Rotten Tomatoes, half of the critics enjoyed it, with an average rating of 5.2/10.[3] Variety praised Hawn's performance, but called it "an uninspiring, unsophisticated attempt at an updated screwball comedy that is brought down by plodding script and a handful of too broadly drawn characters."[4] Rita Kempley of The Washington Post called it "a deeply banal farce" with "one-dimensional characters, a good long look at her buttocks and lots of pathetic sex jokes."[5] Roger Ebert liked it; while calling it predictable, he wrote: "the things that make it special, however, are the genuine charm, wit and warm energy generated by the entire cast and director Garry Marshall."[6] The Los Angeles Times' review of it read: "The film tries to mix the two 1930s movie comedy strains: screwball romance and populist fable. But there's something nerveless and thin about it. Hawn and Russell are good, but their scenes together have a calculated spontaneity—overcute, obvious."[7]
Box office
The film was generally considered a mild success, grossing nearly $27 million domestically.[8]
References
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- ↑ Box Office Mojo
External links
- Use mdy dates from November 2015
- Pages with broken file links
- 1987 films
- Pages using div col with unknown parameters
- American films
- English-language films
- 1980s romantic comedy films
- American romantic comedy films
- Film scores by Alan Silvestri
- Films about amnesia
- Films directed by Garry Marshall
- Films set in Oregon
- Metro-Goldwyn-Mayer films