Title |
Director |
Cast |
Genre |
Notes |
1990 |
Abraham's Gold |
Jörg Graser |
|
|
Screened at the 1990 Cannes Film Festival |
Affengeil |
|
|
Documentary |
|
Europa Europa |
Agnieszka Holland |
Marco Hofschneider, Julie Delpy |
World War II Drama |
1991 Golden Globe Winner for Best Foreign Film; 1991 Academy Award Nominee for Best Writing Adapted Screenplay |
Herzlich willkommen |
Hark Bohm |
|
|
Entered into the 40th Berlin International Film Festival |
The Nasty Girl |
Michael Verhoeven |
|
|
Verhoeven won the Silver Bear at Berlin; 1990 Academy Award Nominee for Best Foreign Film |
1991 |
Lebewohl, Fremde |
Tevfik Başer |
|
|
Screened at the 1991 Cannes Film Festival |
Manta, Manta |
|
Til Schweiger |
Action comedy |
|
Malina |
Werner Schroeter |
|
|
Entered into the 1991 Cannes Film Festival |
Pappa Ante Portas |
Loriot |
Evelyn Hamann |
Comedy |
|
Success |
Franz Seitz, Jr. |
|
|
Entered into the 41st Berlin International Film Festival |
The Tango Player |
Roland Gräf |
|
|
Entered into the 41st Berlin International Film Festival |
Until the End of the World |
Wim Wenders |
Solveig Dommartin, William Hurt, Max von Sydow |
|
|
Walerjan Wrobel's Homesickness |
Rolf Schübel |
|
|
Entered into the 17th Moscow International Film Festival |
1992 |
Apple Trees |
Helma Sanders-Brahms |
|
|
Screened at the 1992 Cannes Film Festival |
The Blue Hour |
Marcel Giesler |
|
Gay drama |
|
Damage |
Louis Malle |
Jeremy Irons |
|
1992 Academy Award Nominee for Best Supporting Actress for Miranda Richardson |
Gudrun |
Hans W. Geißendörfer |
|
|
Won an Honourable Mention at Berlin |
de (Kleine Haie) |
|
|
|
|
Schtonk! |
Helmut Dietl |
Götz George |
Comedy |
1992 Academy Award Nominee for Best Foreign Film; Satire about the Hitler Diaries hoax |
1993 |
Body of Evidence |
Uli Edel |
|
Erotic |
|
Faraway, So Close! |
Wim Wenders |
Otto Sander, Bruno Ganz |
Fantasy drama |
1993 Golden Globe Nominee for Best Foreign Film; 1993 Grand Prix Winner at Cannes |
Just a Matter of Duty |
Thomas Mitscherlich |
|
|
Entered into the 43rd Berlin International Film Festival |
de (Kaspar Hauser (film); Kaspar Hauser – Verbrechen am Seelenleben eines Menschen) |
de (Peter Sehr) |
|
|
No More Mr. Nice Guy |
Detlev Buck |
|
|
Entered into the 43rd Berlin International Film Festival |
Stalingrad |
Joseph Vilsmaier |
Thomas Kretschmann, Dominique Horwitz |
War drama |
Entered into the 18th Moscow International Film Festival |
Two Small Bodies |
Beth B. |
Suzy Amis, Fred Ward |
Thriller |
|
1994 |
Asterix Conquers America |
Gerhard Hahn |
|
Animated |
|
Back to Square One |
Reinhard Münster |
|
|
Entered into the 44th Berlin International Film Festival |
Die Bartholomäusnacht |
|
Isabelle Adjani, Daniel Auteuil |
Historic drama |
German-French co-production |
The Blue One |
Lienhard Wawrzyn |
|
|
Entered into the 44th Berlin International Film Festival |
Der bewegte Mann |
Sönke Wortmann |
Til Schweiger |
Comedy |
|
Felidae |
Michael Schaack |
Ulrich Tukur, Mario Adorf and Thomas Fritsch |
Drama, mystery |
Screened at the Trickompany company |
Lisbon Story |
Wim Wenders |
|
|
Screened at the 1995 Cannes Film Festival |
Mario and the Magician |
Klaus Maria Brandauer |
|
|
Entered into the 19th Moscow International Film Festival |
1995 |
After Five in the Forest Primeval |
Hans-Christian Schmid |
Franka Potente |
Romantic comedy |
2 Bavarian Film Awards |
Brother of Sleep |
Joseph Vilsmaier |
|
Drama |
Official Submission for the Academy Awards in 1995 |
Deathmaker |
Romuald Karmakar |
Götz George |
Drama |
Official Submission for the Academy Awards in 1996; Based on the interrogation of murderer Fritz Haarmann |
Hades |
Herbert Achternbusch |
|
|
Entered into the 45th Berlin International Film Festival |
Mutters Courage |
Michael Verhoeven |
Ulrich Tukur, Pauline Collins |
World War II drama |
|
The Promise |
Margarethe von Trotta |
|
Drama |
Official Submission for the Academy Awards in 1994; Romantic Drama beginning during the rise and ending with the fall of the Berlin Wall |
Transatlantis |
Christian Wagner |
|
|
Entered into the 45th Berlin International Film Festival |
1996 |
Beyond Silence |
Caroline Link |
Sylvie Testud |
|
1997 Academy Award Nominee for Best Foreign Film |
Echte Kerle |
Rolf Silber |
|
Gay comedy |
Titled Regular Guys for U.S. DVD release |
The Ogre |
Volker Schlöndorff |
John Malkovich |
Drama |
|
Seven Servants |
Daryush Shokof |
Anthony Quinn |
Surreal comedy |
- |
1997 |
Bandits |
Katja von Garnier |
Katja Riemann |
Action |
|
Knockin' on Heaven's Door |
Thomas Jahn |
|
|
Entered into the 20th Moscow International Film Festival |
Life is All You Get |
Wolfgang Becker |
|
|
Entered into the 47th Berlin International Film Festival |
Mein Herz – niemandem! |
Helma Sanders-Brahms |
Rossini |
Helmut Dietl |
Götz George, Mario Adorf, Heiner Lauterbach, Veronica Ferres |
Comedy |
|
1998 |
The Big Mambo |
Michael Gwisdek |
|
|
Entered into the 48th Berlin International Film Festival |
Places in Cities |
Angela Schanelec |
|
|
Screened at the 1998 Cannes Film Festival |
Run Lola Run |
Tom Tykwer |
Franka Potente, Moritz Bleibtreu |
Thriller |
Official Submission for the 1998 Academy Awards; 1998 BAFTA Nominee; 1999 Independent Spirit Award Winner |
Widows |
Sherry Hormann |
Ornella Muti, Katja Flint, Eva Mattes |
Comedy |
|
1999 |
Aimée & Jaguar |
Max Färberböck |
Maria Schrader, Juliane Köhler |
Romantic drama |
1999 Golden Globe Nominee; Official Submission for the Academy Awards in 1999; Lesbian love story set in World War II |
Buena Vista Social Club |
Wim Wenders |
|
Documentary |
Academy Award Nominee for Best Documentary |
Gloomy Sunday |
Rolf Schübel |
|
World War II drama |
Co-production with Hungary |
Nightshapes |
Andreas Dresen |
|
|
Entered into the 49th Berlin International Film Festival |
Sonnenallee |
Leander Haußmann |
Robert Stadlober |
Comedy |
|